Visual factors in constructing authenticity in weblogs

Gary Thompson, Saginaw Valley State University, University Center, MI, USA

Introduction
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Part 3
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Part 5
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Part 7
Part 8

Note: this paper was first presented at the October 2003 AOIR conference in Toronto. Images in the paper mostly derive from a few months before that; as is the nature of the web, many have changed since.

Introduction

A recent Stanford University study found that looks count when people judge a website for credibility. "To look good is to be good -- that's the primary test when people assess a Web site's credibility," said B.J. Fogg, Ph.D, who led the Stanford study. "’People evaluate TV news and politicians in the same way: presentation matters more than substance. Why should we expect the Web to be any different?”
http://www.gerrymcgovern.com/nt/2002/nt_2002_12_16_look.htm

By now we have seen several iterations between extremes in discussions about the internet, ranging from “It must be true—I saw it on the internet” to requirements that students avoid using any internet sources. As the internet as a medium is now a significant rival to television and print media, we are long overdue for developing some nuance in our interpretations. It is my contention that authenticity is something which must be constructed rather than simply accruing to verbal content, and visual and other design features are an inherent, but often overlooked, factor in this construction.

I mean for the point to have general application, but will focus on weblogs as a useful if not quite representative application. Weblogs have multiplied vastly since coming to public notice five years or so ago, thanks in part to the popularization of bloghosts (Blogger, Livejournal) making their design and maintenance much more convenient to the ordinary person.

By authenticity I mean more or less what in rhetoric is called ethos—the persuasive appeal of a text based on the character or believability of its source. Authenticity has been a problem for on-line writing since the internet came to wide public knowledge in the early 1990s, for reasons that are generally known: institutional markers of authenticity did not automatically carry over, and those which were could be easily simulated, as could personal identity. Early on, mass media often treated the web as a competitor, warning audiences of the dangers of false representation in textual forms ranging from misrepresenting identity, to propaganda masquerading as objective reporting, to the net’s well-known propensity for rumor and hoax. These representations have created a sort of electronic hermeneutics of suspicion which is only gradually dissipating.

By and large, however, audiences have settled into acceptance of electronic media as more or less equal in authenticity to non-electronic media, partly because established institutions have staked out their on-line presences, partly because of the internet’s increased familiarity and obvious utility, partly because audiences have learned to discriminate between genres, partly because a large segment of the population has grown up with these media, and partly because the internet offers alternative sources and more capabilities for fact-checking. However, weblogs, as a relatively new genre of electronic text, have reawakened some of the old suspicions.

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